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Peru vacation
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Rimac
Heading north from the Plaza Mayor along Jirón de la Unión, you pass the
Casa Aliaga , at no. 224, an unusual mansion occupied by the same family
since 1535 and reputed to be the oldest in South America. It's one of the most
elaborate mansions in the country, with sumptuous reception rooms full of Louis
XIV mirrors, furniture, and doors. You need to call in advance to arrange a
visit (tel 427-6624; $3), or book a tour through one of the tour companies.
Continuing up Jirón de la Unión, it's a short walk to the Puente de Piedra
, the stone bridge which arches over the Río Rimac - usually no more than a
miserable trickle - behind the Palacio de Gobierno. Initially a wooden
construction, today's bridge was built in the seventeenth century, using egg
whites to improve the consistency of its mortar. Its function was to provide a
permanent link between the centre of town and the district of San Lazaro, known
these days as Rimac , or, more popularly, as Bajo El Puente ("below the
bridge"). This zone was first populated in the sixteenth century by African
slaves, newly imported and awaiting purchase by big plantation owners; a few
years later Rimac was beleaguered by outbreaks of leprosy. Although these days
its status is much improved, Rimac is still one of the most run-down areas of
Lima and can be quite an aggressive place at night - unfortunate, since some of
the best peñas are located down here. However, a one-hour guided tour
(Sat & Sun 10am-9pm, departing every 15min) through old Rimac and up to the top
of San Cristobal departs from outside Santo Domingo monastery and is a good and
safe way to see many of Rimac's rather run-down sites. It's best in the
afternoons, when the visibility is generally better.
Rimac is also home to the Plaza de Acho , on Hualgayoc 332, Lima's
most important bullring, which also houses the Museo Taurino , or
Bullfight Museum (Mon-Fri 8am-3pm; $1.50), containing some original Goya
engravings, several interesting paintings, and a few relics of bullfighting
contests. A few blocks to the right of the bridge, you can stroll up the
Alameda de los Descalzos , a fine tree-lined walk designed for courtship,
and an afternoon meeting place for the early seventeenth-century elite. It leads
past the foot of a distinctive hill, the Cerro San Cristobal, and, although in
desperate need of renovation, it still possesses twelve appealing marble statues
brought from Italy in 1856, each one representing a different sign of the zodiac.
At the far end of the Alameda a fine, low Franciscan monastery, El Convento
de los Descalzos (Mon-Sat 9.30am-1pm & 3-5.30pm; $1.50 including a 40min
guided tour), houses a collection of colonial and Republican paintings from Peru
and Ecuador, and its Chapel of El Carmen possesses a beautiful Baroque gold-leaf
altar. Founded in 1592, the monastery was situated in what was then a secluded
spot beyond the town, protected from earthquakes by the Cerro San Cristobal
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